Showing posts with label Artist. Show all posts
Showing posts with label Artist. Show all posts

10.19.2014

EMOTION ON CANVAS :: Exclusive Interview With Artist Zac Franzoni

Artist Zac Franzoni Barrel-dEM
Artist Zac Franzoni
Chicago is a top notch city full of talented artists. One of those artists, Zac Franzoni uses his own technique and different mediums to create colorful explosions of passion. Zac took some time to talk to us today about his craft, technique and influences.

So, how did you get started making this incredible art?

Well, there are a few layers to this answer, actually. I've been making art since I was a kid. My uncle was an artist and I grew up living next to him, so I'd always go over and instantly be emerged in this surrealist world that was his basement studio. It started from there, it's in my genes.

And your family, they all support what you do?

Oh of course, my parents have always been amazingly supportive of my choices. Their house is full of my paintings.

The art I currently make is influenced by necessity, a few years ago I had to put down the paintbrush due to arthritis and tendonitis in my hands, I had to change my style. So the current incarnation of my art came about because i had to come up with a way to paint without manual manipulation.

So your current style - can you tell me a little bit about that - let's say if the canvas was blank, where do you start or is it different each time?

It's different each time. Sometimes I start with a dry, white canvas, sometimes I will paint a base coat to work with, and other times I'll cover it with water and go from there. It depends on my mood, or what effect I'm going for.

Would you call your style free-form or do you have a plan for each piece, or is it somewhere in between?

I'd say 3/4 free-form, I have actually coined the term "Abstract-Feelism". I do whatever I feel like doing at the time. It's all about the flow.

and speaking of the flow ... I once read somewhere that you often listen to The Rolling Stones, get into a trance and let the art practically make itself ... is that accurate?

Ha, yes! I'm all about the tunes, man. Music is a big part of my life, I'll throw on some Kid Cudi, some Stones and go to town. It is like a trance, an hour will go by and feel like 2 minutes. I'll come to, covered in paint with an empty beer and wonder where my mind just went. Sometimes I believe the paintings want to make themselves. That's another reason I love this organic style I have recently adopted so much, the paintings have a life of their own, I just provide the environment. The Renaissance sculptors believed the subject of their sculptures lived within the marble and their job was just to set them free, I believe that is true with a lot of art.

That's a great philosophy - it sounds like an awesome way to live. Have you ever gotten attached to a piece and had a hard time selling it?

Now Children, Let's Share
There are only 2 pieces I have ever been attached to and kept. One is from high school, the first time I really felt something click in my mind while making a piece of art. That piece won me 'Artist of the Month', and the prize was having it professionally framed for free. The second is a piece called "Now Children, Let's Share", it was made while I was in a community college art class. It's hanging in my hallway in my house right now. It embodied all the turmoil of first love, a shitty time in high school, and attempting to find myself artistically. It made me cry when I finished it, no shame in that, the only thing better than crying after making a great piece of art is burning it.

OK, so how do you go about selling your pieces in or around Chicago?

I go about selling my art by hustling, by not only selling my art but selling myself as a product. I'm not just selling a pretty painting to you that matches a couch ... I'm selling you a pretty painting that matches your couch painted by THIS guy right here, by a sometimes overly honest and open struggling artist, by a real person with fears and rent to pay, and mostly likely I've had a beer before talking to you because this type of shit makes me nervous.
But, to be more practical about that answer, I sell wherever I can! I display in coffee shops and galleries, I have been doing street and art festivals for 3 years now, and I have a manager who helps hook me up with shows and leasing out my art. It's a combined effort, it's not easy.

I've also seen you create art live, it's amazing to watch ... how often do you do live art?



I don't do live art as much as I used to. It began about 8 years ago when I started painting live at a weekly event at a gallery called Dulcenea in Wicker Park. Then on to painting monthly at local Burning Man parties. I had to slow down because of my previously mentioned struggled with my hands. I do however had a huge, huge project in the works at the moment. I am painting an 8 foot wide painting on stage, live, at the Joffrey Ballet with 8 dancers for a 12 minute piece. November 8th. It's for a charity called EMBARC, they help underprivileged youth on the southside of Chicago. It's definitely the biggest moment of my artistic career. I am also showing a new series of 9 pieces in their event space for the cocktail party after the performance.

Now you have many fans out there and they had some questions to ask as well, do you mind?

Woah ... fans? That's an odd sensation. Yes, bring it on!

What is hard that people don't understand about making art for a living?

People have this misconception that painting and making art isn't actual work. Well, I go to the lumber store, I buy wood and build canvases. I work late nights, I spend hours upon hours online filling out applications and updating the dozen websites I use to try to build my online presence. I wake up at 3 am with designs and ideas in my head and can't sleep. I spend way more than an average work week actually working, it's more than just physically draining, it's an emotional process as well. Also, you gotta learn to life like a poor college student again.

Do you sell a lot of reproductions? Where do you get those printed?

I only recently had prints done, and I've only sold a handful. I'm definitely more into selling originals. Texture is a big part of a painting. But my buddy Franklin has a print shop and does a bang-up job.

Dead In The Water



If you were a cartoon character, who would you be?

Wile E Coyote. I'm a hopeless romantic and love dynamite.

Hahaha ... well I hope you catch that pesky roadrunner!

If i did catch him, I'd just want to have a cocktail and play a game of chess.



Where do you see yourself in 5 years?

I aim high, so I'd say either hiking on top of a mountain or a rich, wildly successful artist with a warehouse sized studio and a Warhol-like following.

Well, Id say that you are definitely on your way. Is there anything else you want to add?

I'd just like to say to all the youngins out there, if you're in art school or otherwise - never, ever titled your art "Untitled". It drives me insane, I will find you, I will hunt you down. I will make you take a shot of whiskey with me and title your art. That drives me nuts.

Also, thank you Noble, this has been fun.

Thank you so much Zac for your time!

Check out more of Zac's work at www.zacfranzoni.com/

No Boats

5.16.2013

ART IS LIFE :: Anna Todaro Interview


I really enjoy good art and one of my favorite visual artists is Chicago's Anna Todaro. Her style is colorful, animalistic and very distinctive. In her own words it's Utopian Folk Art. Utopian, because she seeks to make the world a better place though her medium and that comes from a genuine place of unconditional love. 

Anna's been supporting herself from her southside studio where she creates works to sell in shops, at art festivals, and online. She decided to reveal a bit about herself with us in an interview.

Thanks for doing this Anna. I've always enjoyed your art and I'm happy to share it with our readers.
Thank you. I really love what I do and am soooo happy there are other people out there who enjoy my work so I can keep on doing this.

So how long have you been painting professionally?
I've been doing markets mainly on the west coast since 2009. I started doing street fairs in Portland, Oregon in 2004 and I have been painting full time since 2011.

Do you have any formal training or is this something that you learned how to do on your own?
I went to Northern Illinois University where I got my BFA in Painting in 2004. I was given a scholarship to study abroad in Florence, Italy for one of the semesters at NIU. Most of what I do now I taught myself over the years after graduating college and actually participating in the "real" art world.

Are you influenced by any other artists, either in paint, prose or music?
Oh man, soooooooo many. I guess right now I will tell you who is currently influencing me, but in reality, there are tons more. I learn a lot simply by looking at other work and currently have been learning a lot looking at traditional Japanese paintings as well as cave paintings. I am super into their use of line. Business wise, I am looking at a lot of what a lot of local artists from Portland Oregon and San Francisco are doing ... ladies like Jill Bliss, Amy Ruppel, Chicago artists like Nerfect; Some more famous contemporaries would be like Mark Ryden, John Currin and Amy Sol to name a few.

I'm into music with good vibes. I really am into Brian Eno while I work because it's not super distracting, I like positive noise like Brainstorm, and I also like string instruments and live instruments.

We share a mutual fondness for Brian Eno. I always listen to "Music for Airports" when I've having a bad day or trouble sleeping. I've noticed a theme in your work for using pastel colors, is that something that is intentional or did it develop over time?

I've always loved color. I remember being in preschool, not even three years old, and looking up at this hanging stuffed rainbow and memorizing the order of colors. I can look at any color and see it's opposite. My color system has evolved over time. My "mother" color is the exact middle of the color spectrum, yellow green. I love this color because it contains both the bright happiness of yellow and the calming coolness of blue. I like to use bright colors that are also not dominating. They are intended to lighten a space and a spaces mood, not to control it.

Well, it definitely works ... and it suits the subjects of your work, which is another theme I've noticed - birds. Why such a fondness for painting birds?

I love that birds can fly. I love their songs and their mysterious ways and I Love Love Love their bright and exotic feathers. I love how well they go with atmosphere and air as well, kind of like fusing together the tangible, and the intangible.

Yes, I must say that I'm a little jealous of the birds. My best dreams are the one's where I'm flying. Your art captures that feeling very well. I understand that you've recently started creating children's books. Can you tell us a little about how that came about?
Well, I've always been into the theater and have always been a pretty ok writer, especially of simple works, I used to do a lot of work with the Portland Poetry scene in Oregon and would go to all of the open mics. When I really started bringing all of the work together was after I had gone to this meditation circle for my friend Tazdeen. I met a woman there who, when she saw my business card got really mad and said I needed to write children's stories. For some reason, her words seems to echo in my head and when I got home, I realized that I'd actually been at the wrong party. It was at the same address, but actually a block away from the place I'd meant to be, I tend to look at scenarios like this as real everyday magic and used this message from this woman as a warning that I really need to get all of my work together into one format to really put it out there for people to enjoy.

Your first is a children's story under the name Mother Heron, about learning to hula hoop. I know that you are currently raising money on Kickstarter.com to publish this. Can you tell us more about that story?

It's called "Everybody Hoops, but me" It's about a little girl who really wants to hula hoop, and everyone else in the whole world can hula hoop but her and it's about her struggle. I have audio of myself reading the story up on soundcloud.

Is there a bit of Anna in this story?
Well, I am definitely one to never give up (three fixed signs) and this is the really meaning of this story. I also found it really difficult to hula hoop, and needed to practice a ton even to get the thing to go around more than twice.

So I'm guessing that you look like a natural when doing it now?
I'm ok ... I have fun and I think that's the most important part about hula hooping. I have a bunch of stories in the works for Mother Heron and I thought that the idea of never giving up was a great theme to be the first story by a lady who has been working so hard, and never giving up for so long, doing most of the work myself. It feels like so many people come up to congratulate me on all of my success and the truth is, it's all been hard work, lots and lots of work, 99% perspiration you know.



Well, you certainly are an inspiration to perserverance. How close are you to your Kickstarter goal?
With 15 days left, I am currently at $1,111 out of $6,000 for the goal. My goal is to be able to buy enough copies of the book to have the price per book low enough to sell them in independent bookstores.

Well, maybe 11 is your lucky number. I wish you all the best in this and all your future endeavors. Is there any thing else you'd like to share?
Oh, thank you sooo much Noble. I really think the most important part about crowd funding is getting the word out. Thank you so much for this interview.


I'm glad to help. Thank you for taking the time to talk to us today.



No Boats